Hey there,

Another bit of fille- I mean a glimpse at the finished product, time, sweat and tears and lots of blood. Not my blood, but it’s the thought that counts.

Not been up to much recently, watched the latest season of American horror story as I keep telling people on facebook when I wasn’t banned and it’s pretty fun. I mean it never really sticks the landing but it always starts off fun. It’s like a toybox full of nice new toys you know one kid is going to take a dump in.

Like the last season was about a cult sort of surrounding Donald Trump but not really. It started off pretty partisan and wasn’t too heavy on politics on one side or the other, sort of making fun of them both but towards the end it’s picked a side and surprise surprise which side it is haha. I didn’t really mind that but the ending is so forced it reminded me of the ending of Law Abiding Citizen. Just one of those endings that seems really forced and doesn’t really make sense in the logic of the film world.

So yeah this super genius guy who can kill people from a prison cell is basically going to take over the city by blowing up the mayor but he can be outsmarted by this attorney who has basically just been a bumbling idiot until now. But no magically he not only finds the bomb but puts it under the super geniuses bed and he dies. Like “Ooh can’t wait til that bomb explodes and crumbles this corrupt system that’s broke, oops whats that smell?”
I hate it when they make smart characters dumb. Why is the character a genius up to this point but now he’s suddenly dumb because the script asked him to be dumb. It’s so contrived, if you set up a character to be this evil genius but can’t come up with a good way to defeat him then the natural course is to let him win. Not to just tack on a good ending where he slips on a banana peel and dies. You have to establish a flaw for him to fail or he wins, you can’t just go ‘ok now the good guy win!’
It’s cheap and tacky and it completely just feels hollow and shitty.

 

So basically the ending of Cult, oh yeah spoilers ahead haha, is the cult leader played by Evan Peters is in prison but he’s sort of indoctrinated the prison and he’s fucking the female guards and they help him escape so he can go kill the person who squealed on him which is Sarah Paulson’s character.

So he escapes and he gets on stage to kill her but the gun is empty and the ‘twist’ is that Sarah Paulson’s character had a little ‘chinwag’ with this indoctrinated guard and somehow unindoctrinated her and she gives him an empty gun so when he pulls the trigger nothing happens and then someone else shoots him. And to a normal person you’d just go ‘ok the bad guy loses cos reasons’.

But I was instantly like, literally none of that makes sense. One how did these people even meet, so this person is indoctrinated but travels god knows how far to meet someone who escaped the cult, why? The prison probably is nowhere near this person and why would the indoctrinated person even think of doing this? And if it was Paulson did she talk to every guard in the prison? And if she really unindoctrinated her why did the guard still have sex with him and help him escape after, i.e committing career suicide? It makes zero sense.
If she was really not under his power he would’ve never made it out of that prison in the first place. It just makes logical sense within the real world or it’s own world. It was just ‘Bad guy loses’. 

And the politics and message are sort of cancerous, it makes reference to that Ashley Judd speech where she read out this poem that I doubt that many people know about really. And Sarah Paulson’s character is a crazy murderer too so it’s not really ‘bad guy loses’ it’s more like ‘male bad guy loses, female bad guy wins cos reasons’.

Also lena dunham is in it playing the chick that shot andy warhol and that episode was just fucking aids tier, I almost stopped watching after that, it was just pushing too hard on the parody wall to be taken seriously. It stretched credulity to a point it was obnoxious. The story sort of fell apart after that and the ending was just small and unsatisfying and it made me mad haha. Even though I knew it was coming. It reminds me of a really good movie I watched recently called Upgrade and I wont go into it for spoilers but you get to the end and it starts to get formulaic and me I’m watching it like ‘oh here comes the generic ending’. Like you can just tell, a story is building to this one ending but you know it’s gonna cuck out and take the easy way out like Law Abiding Citizen. The super genius character is suddenly gonna just not account for an allergy to pollen or something really fucking dumb.

But no, it gave me exactly the ending that I never expected, the ending that actually makes sense and it was ten times more satisfying. That ending alone made that movie for me, but all around it’s just an awesome little movie, I recommend you watch that and skip every season of american horror story haha. I’m watching it out of curiosity, it’s just something to put on while I pump iron haha.

So, down to business, Kur is done, sort of, not really and it’s time I work on something new. And honestly I dunno, I feel like Diana and Kur are both sort of up in the air and I don’t know what to do with them just yet. I need some direction, I need to follow my instincts because this is a lot of time investment to waste on a book maybe nobody wants to read. I mean if no one like either book what’s the point in writing a sequel?

I’m starting to think I’d be better off writing more clown samurai nonsense haha. I do have something I was sort of working on a while ago and I think I might go with that and instead of writing something intended to be a series just write a one and done book like fight club (but not like fight club haha). Maybe I’m spreading myself too thin and not putting the focus where it needs to be.

So I had this idea about a super hero going through Burnout syndrome, basically a superhero who tries too hard and his powers are too strong and he ends up killing innocent people by mistake and goes to prison. And in prison he slowly begins to see the world is much too broken to be the hero he wants to be and he essentially becomes a villain. I mean he’s still the hero but the “government” becomes the villain.

I likened it to like Hancock meets 1984 meets american history X but in reverse I guess haha. Maybe old boy would be a better description but he doesn’t become evil in oldboy. It’s complicated. The reason I said that is because I want to play the politics card like ahs cult and have an evil but relate-able nazi character for fun. Like a mix of Patrick Bateman, the guy from american history X and the comedian from Watchmen. A villain who is vile but still oddly likeable, so much so you feel dirty for liking him haha. Characters like that are always fun and really make even bad media good, like Kilgrave in Jessica Jones, any wonder the second season fizzled out? Killing him off was their death nail. I heard netflix is axing all that cape shit now, good riddance, it was terrible imo.

I think I’m gonna spend some time with the notes and materials I have for Kur 2 and this superhero story which is called ‘Burnout’ now but I toyed with a few others. I wanted to call the main character burnout but of course it’s already taken haha. I was looking through the notes for it, because it started off as a comic as does a lot of the stuff I write now. But the notes I have are pretty extensive, I’m a little impressed with past me haha. I mean it’s funny looking back at my world view then comparing it til now. It’s like reading Alex Jones’s wank material haha. 

But there’s a lot of good stuff there ready to be moulded into an actual story, so I think that’s what I’m gonna do for the next couple of days, just see where my head is at, see what I’m feeling. But baring a sign from god I’m feeling the super hero story mainly because I a lot of the song titles I have for chapter titles haha. Stole most of them from the excellent american psycho soundtrack haha. So yeah, American Psycho meets hancock haha. I guess that’s a thing maybe.

Should be a lot of fun, I’m gonna take my time and play it out a little, see what I can do with it.
Oh also the starship troopers pilot screenplay is done, now I need to decide what I’m gonna do with it haha.

That was a long one but I think that’s good for today.

Also did another newsletter, first of the year, sorry about that haha. I attribute it to laziness and forgetfulness. But I haven’t really been spamming much since I’ve been getting banned so much recently.

See you…

We cut out a lot of walking through bland bleached white halls, not too dissimilar from the inside of a hospital. Complete with the smell of death and cleaning products. I waited in an interview room. It was sort of a bland eggshell color, and it smelled vaguely of crayons.

A square room that could’ve been an empty storage closet but for the table and chairs. There was no long two way mirror, just a camera that was no doubt watching. They’d see nothing of interest, no tell or wink or me talking to myself. I lacked guilt of any kind, incapable of feeling it in fact; and as far as I knew, I was actually innocent of any crime larger than an overdue library book.

My fantasies aside, I was a pretty solid citizen, on paper. Two—or probably thirty—minutes from now, a detective could walk in here with a video of me robbing a jewelry store, wearing the barmaid’s head as a hat.

I’d pull off surprised, then again, maybe not. I’d dwelled on the possibility the dark back seat driver might’ve been taking me around for a spin in the wee hours of the night. Slipping his driving gloves on, and sidling over into the front seat while I was away with the faeries. That seemed fanciful, even for me. Although, it would explain why I felt so rundown recently, but I could just be getting my period.

I was about to delve deeper into another dark daydream, when the seal on the door behind me was broken. I turned awkwardly to watch detective Cantwell saunter in, looking down at a bland manila folder, as if I hadn’t been waiting at least an hour at this point. He sipped a hot cup of coffee, probably one of many. Our tax dollars at work.

There was something I liked about this place. Something beautifully impersonal about everything. Men and women, in and out of uniform, shuffling about in a trance, pretending they belonged, all separated out in little cubicles and cubbies.

The smell of justice was a dank bitter scent, like burnt coffee and cigarette butts. People brought together working toward something that could never truly be but was worth their time anyway. Like a maid constantly making a bed for others to sleep in, only to have to make it again the next day. Making order from so much chaos. What a daunting task, I liked it.

The detective looked up at me like he didn’t expect me to be there, causing deep creases to form on his smooth chocolaty forehead. He then proceeded to slap the folder on the table, as if it had pictures of the Kennedy assassination from an until-now, unseen new angle.

My money was on Jackie this time around. Maybe it was the butler with the candle stick.

He took a sip of his coffee, waiting to say something, this whole thing I guess was to soften me up, let me stew, all protocol no doubt.

I could’ve said something; that was sort of the point of me being there. But, I felt it impertinent to be the first one to talk in this situation, surely that would break some sort of criminal code. At least let the cop ask a question before one spills the beans entirely.

So I sat, adjusted myself in my seat a bit and looked at him as he continued to peer down and sip his coffee. I cleared my throat quietly, readying myself.

“Do you know why you’re here?” he asked some very guilty looking coffee grounds at the bottom of his cup.

“Err…” Eloquent as always. “Something to do with the heads in the lockers?” The words tiptoed out playfully.

The heads seemed like a distant memory now, a memento from a special day I never got to keep; I didn’t even keep the ball.

Maybe I could still get it out of the trash.

Cantwell made a face at his coffee like he got all the way to the bottom only to discover the body of a fly in a set of tiny Bermuda shorts.

He looked at me with half-lidded eyes and made a sucking noise with his teeth before setting the empty cup down.

The sound of it touching down on the table echoed right through me. We had so much in common.

He readjusted himself in his seat and made a sighing noise, like he was about to open some grand grimoire of Diana’s mistakes past and present.

A catalogue of all my thought crimes recorded for all to see. Probably even had my tween fascination with Justin Bieber and Edward from Twilight in there, too. That would’ve been truly incriminating. Especially if he found my adolescent fan-fic shipping the two. My mind was wandering, trying to distract from the dark hissing noise.

A black punctured tire, whispering to me in that mock reflection of my own inner voice.

A quiet siren ripping through the dark foggy depths of the ghost town called Diana.

The detective opened the file and split his lips as he looked at me, flipping a Photostat copy of a picture over in my direction.

In it; a blurry night still from a security camera, the vague outline of a hummer pulling out into the night.

“That picture was taken from a gas station security camera of a car fleeing the scene of the latest Headsman murder.”

I tried not to fall out of my seat. What was more shocking? The picture or the fact, not even the police could decide on a definitive name for him, Headhunter, Headsman, pick one.

I gave my best teenage ‘so what’ face. Trying both, not to look completely blindsided and also trying not to open my eyes wide enough for him to see that there was nothing behind them. Too much emotion, and too little would both be mistakes. What a tight rope I walked, how I envied Manson. He’d always just made a funny face and said something vaguely intelligible.

“I—err…”

Great work Diana, you’ve got him eating out of the palm of your hand.

“Now what would be the chances you’d be the one to find those heads?” The detective sat back in his chair, laying out some figurative diorama of events with his hands on the table separating us. “And only one day later, were photographed leaving the scene of another murder in your boyfriends car. That is your boyfriend’s car, isn’t it?” The question hung in the air devoid of any inclination of doubt. He slid a few more pictures across the desk, these ones were less blurry. Different angles of the car—and even a nice shot from the front—my ghostly white face projecting through the tinted glass windshield.