I don’t know how long…
Before I can see your face,
In my restless dreams
Sometimes I see you
You’re always smiling at me
But it never lasts
I’d do anything
Just to see you for a day
How long can I wait?
I don’t know how long…
Before I can see your face,
In my restless dreams
Sometimes I see you
You’re always smiling at me
But it never lasts
I’d do anything
Just to see you for a day
How long can I wait?
This movie surprised me taking the lofty title of ‘most okayest movie ever’.
I didn’t really know what to expect when I went into this movie, I’ve seen all of the MIB movies but never been that impressed with any of them bar the first one and even then I just thought that movie was above average.
And then of course I stumbled on all the political bullshit surrounding this movie as it appears that Tessa Thompson is trying to topple Brie Larson from atop the totem of ‘most wokest person in hollywood’ which you’d think would be easy since she’s a woman and mixed race and is probably some made up gender she hasn’t fully made up yet (probably waiting on focus group testing for that one). But you’d be wrong, as nothing will top a huhwhyte wamen and her shrill white guilt from being the most woke person on earth nomatter how many african babies she has to adopt and then turn into some kind of gender experiment, looking at you Charlise Theron *shakes head*.
Yeah she was being a total nob and I guess trying to kick up controversy by saying it should be ‘People in black’ or something lame like that, you know just trying to ungender the language for some reason. When in reality ‘men’ is actually a neutral term which just means people and they added ‘wo’ to it to single out the distinction in people. Men classically is just a collective term for humans, you use women when you want to get specific on the type of human from the bog standard to the special one that creates other humans.
Putting the fedora away for a moment, that shit doesn’t really matter because facts never matter when you’ve got an agenda to push. But in all honesty the movie didn’t have a lot of politics in it, of course there were politics in it, can’t get a movie without it in these days in some form or another. It’s always there looming in the background of all movies in a way.
There are the odd subtle reference to immigration, well Tessa Thompson’s character at the start helps this cute little alien escape alien ice (MIB) and spoilers for this epic twist which is almost completely inconsequential to the rest of the movie and totally obvious to anyone five and above; the little alien is mildly relevant to the plot later. In that he’s like the enforcer to an alien arms dealer and because she helped him he helps her escape the arms dealer.
So I guess the moral of the story is you should help illegal aliens escape the law so when they become hired killers for other alien criminals they’ll maybe remember you and spare you when you end up in the clutches of said alien criminals. Not the best argument for immigration I’ve heard, but it’s up there.
Also not sure about this in the other movies but they referred to the aliens a lot as ‘refugees’. I don’t really get why alien refugees would want to flee to earth of all places when earth seems to be the focal point of a lot of alien fuckery and the first part of the movie is about how Hemsworth’s character has to take this alien dignitary around and show him some fun or his people will grind the earth into dust. So tell me again why it’s such an alien hot spot, of all the places in the galaxy why pick earth a planet where most of the people aren’t even aware of aliens? And also why aren’t people aware of aliens? What harm could it be to let people know that aliens exist? I mean aliens are aware people exist and they’re pretty chill about it, I don’t get why humans are the only people in the universe not allowed to know they’re not alone, it’s just levels of contrivance that shouldn’t be possible.
I was just thinking what would really change if people knew about aliens in this universe and the answer really is ‘nothing’. There’s a bit where they’re riding this alien hoverbike thing through the streets of morocco and they take the time to neuralise some of the people who initially see them but then they’re driving through the streets not bothering and I was like ‘so what was the point of neuralising those people if you don’t also subsequently neuralise everyone around you now?”. It’s just contrived and silly and like why bother neuralising people at all when there are supposedly aliens everywhere. It makes me think that people do know aliens are real but the MIB are just so stupid they don’t know everyone knows and people are just pretending they don’t know to humour these total retards who think camera flash bulbs erase people’s memories.
I get the whole point of it is to make us think that the MIB could be real and they’re keeping the existence of aliens from us but does that ever make it seem more real? Not really. I mean you had people planning to storm area 51 recently hoping to bone green women, do you think anything would surprise these people anymore?
Jesus fucking christ, I didn’t think I’d have anything to say about this movie and I’m already almost a thousand words in and haven’t said anything about it really haha.
Ok well, I kind of enjoyed it, I guess, it’s an ok popcorn flick to turn your brain off to, some of the jokes are ok, kind of post ironic humour bleh, but passable. The contrived origin story of Tessa Thompson’s character sucks though and I wish they’d skipped it, but it was thankfully very brief.
She’s just someone who saw an alien once and wanted to be in MIB and she’s ‘muh mary sue super wamen genius!’ and they have to let her in the MIB for reasons. She basically just shows up at MIB headquarters and they let her join for reasons. I thought it would’ve been more fun if they neuralised her and she had to remember and get back there. But this movie can’t be bothered with origin stories, because they have a bunch of other origin stories in a row to tell. Right after her origin story its Chris Hemsworth’s turn and then like a quarter of the way in it gets into the villains story. The villain was sort of bleh honestly. Just these two guys who looked like (and probably were) backing dancers in a *insert modern popstar idiot*’s music video.
But I expected Liam Neeson to be in it for like five minutes and he’s actually in it a lot longer than that. I liked some of the action, Chris Hemsworth is always pretty watchable and they actually cut some of the cringy stuff that was in the trailer which was great. Back to the political shit, there was a shit bit where the chick who is the leader of the U.S MIB is implying she’s trying to change the name to be more gender neutral and I don’t remember it being in the version I watched so that’s cool.
So the basic plot is Chris Hemsworth is basically 007 but goofier and with aliens and Tessa Thompson is his new rookie partner and they’re doing stuff. It’s not the best, the plot is mainly serviceable but it didn’t drag or feel poorly paced. I didn’t feel bored or unsatisfied. It’s length was just right in terms of it’s act structure, the characters were enjoyable, effects looked good.
Maybe I was just expecting it to be really bad and was just pleasantly surprised because I rather enjoyed it, it was just a fun popcorn movie. I’d probably never watch it again but I can think of worse ways to waste an afternoon.
IT WAS OK.
I find it hard to review these movies, which is probably why I didn’t review all the others haha. I dunno because I enjoy them but I can’t help feeling like I enjoy them ironically. Like I’m watching a school play version of an eighties action movie and it kind of resembles those movies but it’s a cartoonish self-referential post irony abomination.
And bare in mind I enjoyed this movie, but I can’t help think that if this came out in the eighties or early nineties people would laugh at it, it would be a blip. Rather than being something interesting with a unique spin on eighties/nineties action movies like The Guest or Upgrade (see these movies, they’re fucking awesome), it’s just a kind of an amalgam of that and a kung fu movie I guess where the weakest aspect is always the world building. The difference being those movies are usually set in the real world.
Whenever I’m watching a John Wick movie I have to take special care to ignore the stupid world building. Why the fuck wasn’t this movie just based in the real world? Why do you have to set it in this cartoony parody world where everyone and their nan is an assassin? It’s just totally immersion breaking and lame. It’s just fucking silly and makes the world kind of goofy and it takes away from a lot of the gore and violence because it just makes the whole thing a great big cartoon. I mean what’s so special about these magical coins and all this nonsense? What does it add to the non-plot?
I mean yeah these movies are meant to be dumb, there’s not a scrap of storyline you could cobble together from any of the films, the world building is weaker than in the Wanted movie where they get their assassination targets from a fucking sewing machine (which is less silly than the comic I might add). And it’s all set in motion by a dead doggo.
They’re less movies, than they are action set pieces strung together with light plot elements. And don’t get me wrong the action is awesome, the fight scenes and effects are masterful. Especially in regard to their use of physical and digital effects. They seem to use them seamlessly, where you have real squibs and then digital over the top for the more fucked stuff like stabbing people in the head. But it’s really just mindless violence without a plot holding it together.
So what’s this one about? Well John Wick has to survive or something, and I dunno Halle Berry is in it for some reason and she has lots of doggos and there’s like more really shit world building (ye-yaayy). Where he has to go see this ‘Elder’ who’s literally a guy that looks the same age if not younger than Keanu Reeves and do some stuff which he sort of doesn’t do and there’s another hook for a sequel. Which is fine, I’m glad they broke out of the trilogy bullshit. I was half convinced they’d do that stupid bullshit where it turns out someone killed his wife for reasons and tie it back to the first movie for a shitty conclusion.
I expected in this movie for John Wick to tear down the whole shitty house of cards world they’d built up which he doesn’t do but it makes me feel like they’re setting up for him to do that in the next movie and that makes it ok, I guess.
Again I enjoy John Wick movies, I just cringe everytime we have to cut to a room full of tatted grannies dressed like greasers working a switch board for assassins. So it’s like a world where everyone is an assassin, like surely we don’t need that many assassins? This is like anime logic, if everyone from the people who shine yours shoes to the people who make you sushi are assassins surely being an assassin is pretty mundane. It’s like someone who works as a waiter talking about his screenplay. “Oh yeah so I work here but my real dream is being the worlds top assassin, just waiting for my big break ya know.”
Every time I’m just like why? Why not just set it in the real world? It’s like trying to make it the matrix for assassins where it’s half in the real world and half in a shit anime and I’d almost like these to be a weird matrix spin off where neo and morpheus choose to re-enter the matrix as new people. Just remembering how bad those sequels were and retracting that statement.
And every fucking character he meets just imposes back story on him and is like “I’ll never forgive you for x thing that you did at y time, I’m really mad and you owe me or I owe or plot plot plot”. It’s tiresome, it’s like the movie is so aware how it has no story so it’s trying really hard to convince you to meme you into writing it in your head and you just can’t be bothered you just want him to shoot more people over a dog. So the John Wick universe could be amazing if only you could use your imagination and will it into being but you don’t because you’re shit and hollywood already stole all your imagination and sold it back to you as a snappy t-shirt.
It’s basically like the John Wick movies are a reboot to a once great franchise that doesn’t exist and expects you to make up in your head. So John Wick is basically skipping a phase, you’re supposed to make a series of popular movies before you make the shitty soulless cash grab reboot, this is just starting with the shitty reboot fanservice and expecting you to work backwards and think on fondly of a series of films that doesn’t exist in a genre that sort of doesn’t exist either anymore.
Because let’s face facts, action movies as a genre are pretty much dead, that’s why these movies are so popular because the only alternative are these neutered sterilised cucked capeshit movies where they can’t show blood and can only say ‘fuck’ once not in the context of actual fucking. And we get the odd throwback to when all big movies weren’t made exclusively to sell happy meal toys with Logan and to a lesser extent those garbage deadpool movies (yes they’re garbage, and if you like them your opinions are garbage and belong in a dustbin with all the other garbage, in fact why don’t you live in there with your garbage opinion?). But it’s not the same.
So again, I have to say I like these movies, I just have to add a caveat, you have to switch your brain off, you have to give this movie a pass on how fucking dumb it is, you have to watch it with beer goggles and just not notice the shit world and the stupid/non-existent plot.
These movies are like an exercise in learning to enjoy things. Just look at Keanu Reeves nice face and watch him brutally murder people because of a doggo and don’t think about it too much. CONSUME PRODUCT, GET EXCITED FOR NEXT PRODUCT.
Of course I’ll watch the next one predictably, but only because I like Keanu Reeves and it would make him sad if I didn’t. (Which is also why I’m going to watch the new Bill and Ted movie and force myself to like it, if it actually can meme itself into existence.)
You and me always
Could stay alone together
You know you’ve got me
You’ve got me in your pocket
Say you’ll stay, say we’ll
Never be severed
My heart is in your locket
This just came out on games with gold and if you’re on xbox you’re well aware games with gold has been inundated with outright stinkers recently as Microsoft is trying to push the new gamepass ultimate thing so they’re trying to phase out gold as a thing by combining gold and gamepass into a pretty reasonable package but I still don’t want to pay extra to play like a handful of ok games buried under piles of indie garbage. Considering I only pay for gold so I can play warframe and payday 2 online and the gold stuff is just a bonus, I’m not that bothered by it but this just came on it and I thought I could rant about it a little since I’m still suffering what for all intents and purposes could be called ‘writers block’. Hence no content this week, probably next week.
So I started playing this game when it was on gamepass when I bought it for a month when it was a quid and I got bored of it before the third act and just decided it was a waste of time, none of the characters are really very interesting, not even the original characters.
There’s barely a story, it’s just ‘go save these people’, the plot is there just to push you into shooting galleries so you can sit behind chest high walls and take your turn shooting.
I played the first three games, I think, I don’t really remember if I played three, I just can’t stand cover shooters, they’re like turn based games without the strategy, you just have to wait til someone sticks their head out and shoot, it’s boring. It’s even more boring when the enemies are all just robots in the first part of the game.
It kind of reminds me of binary domain which is like a japanese rip off of gears where you fight robots, but the robots were satisfy to shoot because bits were constantly flying off them. The robots in gears just explode. So I got bored of fighting uninteresting enemies in shooting galleries and stopped playing only to pick it up again as a time killer on games with gold.
And this time I completed it and I regret that haha. I mean it was kind of fun but the ending and the laziness of the game just makes me mad and reminds me why I will never spend money on the series ever again.
This is probably the laziest sequel to a game ever conceived of, and the only reason it exists is money. Because I guess the first three games wrapped up nicely, they beat all the locusts and won the war. But this game is like “hey why don’t we just bring the locust back and pretend they’re completely new enemies when they’re the exact same character models except some have little bits of crystal coming off them?”
It’s so brazen I almost have to clap and be amazed at the stupidity of an audience that didn’t call this out.
It’s set I think twenty years on and you play Marcus’ son who’s basically a Nathan Drake clone in the shape of a fridge. All the characters are trying to be naughty dog knock offs, the banter is just bleh between them.
The first thing I noticed about this game is it handles the exact same as the 360 games, how is it still tank controls essentially, why in 2019 does it fell like the character is on rails? Why can’t he walk normally? Why does it feel like I’m controlling a giant block of tofu?
All the shooting is the same, the guns are the same with a few added guns which you’ll never have enough ammo for to really make them useful. You just use them up then switch back to the lancer and gnasher which are the same.
It looks nice, the only thing that’s updated seems to be the graphics but it’s a linear game with sky boxes so it’s not that amazing, you’re not rendering a huge open world, just linear levels.
The new mechanics are basically tower defence levels which were pretty fun, the game isn’t so bad when it feels like you’re playing the old gears game and locusts are still pretty satisfying to kill, much more satisfying than those shitty robots.
There’s also a really lazy mech sequence which is obviously just a reskin of your character made huge. It’s laughable honestly. it moves exactly the same as the character so you don’t feel like you’re in a mech at all you just feel like you’re huge and it’s silly.
The story is laughable, it’s just pointless, the ending was so bad I was honestly shocked when there was no level after the credits.
You just go looking for this chicks mom and then you find her, that’s the whole ending, that’s the whole game. The locust were gone then they came back but a bit different. The ending is so smug because it knows it’s getting a sequel so it’s like it didn’t need to try or really have any pay off or satisfying conclusion, it just ends.
And what’s worse is it tries to have emotional resonance just for the sake of it with characters we don’t care about or only met for five minutes and didn’t like. I didn’t care about saving this person, I was just playing to shoot more monsters. You’re supposed to be invested in what happens at the end and I didn’t give a shit.
And what’s worse is it kind of has a good set up, it’s set in the future where the cog is like an oppressive regime and you’re fighting them at first and that had promise. It could’ve been a completely different game about a civil war or a revolution but then they realised that the robots were boring to fight and they didn’t want you chainsawing normal people so they just brought back the locust but with crystals haha.
Because really what this game needed to be edgy was to have the balls to chainsaw other people, to have a civil war or a revolt would’ve been so much more interesting than just fighting more aliens but they went with the path of least resistance.
I think that says it all about this game, it’s just another one which is tacked on after they already finished their trilogy. And they’ll just keep pushing the series to disaster because microsoft has literally no other exclusives that are worth mustard.
Well that’s really all I had to say about it, I promise some actual content next week.
Dancing in my room
I think it was about noon
Want to remember
It’s getting harder
to understand how you felt
In my hands, in my-
I was so blinded
Could you be a pretty girl?
I was such a fool.
I really don’t know where to start with this movie, I went into it expecting the unexpected and it still managed to wow me.
I just don’t know how to even classify Zahler’s movies, they’re like if David Lynch and Tarantino had a baby raised by David Ayer. His movies sit in this weird place between cartoony violence and absurdity verging on surrealism and gritty hyper realism.
Somehow he manages to catch this almost like documentary level of gritty realism in his movies which is done purely so that he can hit you with a sledge hammer of goofy shit in the third act and it works so well that three movies in I have no idea what to predict from this guy.
It’s film making that just leaves me thunder struck nonstop and I can’t even think to react, I can’t tell if it’s just really good slocky nonsense like Taratino or genius levels of nonsense like Lynch.
His movies just leave me at a loss for words because I’ve just never really seen anything like them before and that’s high praise alone.
This is Zahler’s third movie as I’ve said, I think he did a puppet master movie but I couldn’t give a fraction of a fuck about that. I tried to get into the puppet master movies but even me, someone that loves shitty horror movies couldn’t get into it, the series is pure garbage. They’re just movies made because someone made some cool puppets then thought it would be cool to make a movie about them. None of them have enough stories to fill an episode of tales from the crypt and the characters are just garbage. They’re awful movies and I really tried to like them, I watched like four of them before I just gave up on the series.
Although if anyone can make them good it’s Zahler, so I might have to watch his version.
So his other movies are Bone Tomahawk, which is like Open range meets the hills have eyes, I’m not kidding. It turns from a totally realistic western into a campy grindhouse horror movie and it’s awesome, Kurt Russel, Patrick Wilson and Mathew Fox from lost was especially great in this movie.
Then there’s the instant cult classic Brawl in Cellblock 99, hands down his best movie. Vince Vaugn plays a stone cold mountain of a man bad ass who goes to prison and has to save his family from gangsters from behind bars. Starts off as a gritty crime/prison drama turns into a fucking grindhouse videogame by the end and it’s awesome. Like more awesome than you would think possible in this current generation. Hands down the best action movie for ten years because there’s almost no competition except marvel cape shit and fast and furious and John Wick and those movies don’t really count in my mind. They’re more like post ironic spectacle movies as opposed to actual movies. They’re self referential to the point of parody.
Is it time to discuss this actual movie now? I think so, yeah so I liked it, obviously, The end.
Ok so seriously, it’s a slow boil movie and its pretty long, I see people complaining about that but honestly it could’ve been three hours and I would’ve been fine with that, it uses it’s length really well, it never feels like it drags and you know the pay off is going to be something special, because that’s just a Zahler movie. Long build up to epic pay off, and he doesn’t disappoint.
The story is about, well it’s about three stories colliding (technically four). So the first is about this ex con who gets out of prison and I guess he’s supposed to be the main character because we’re introduced to his story first. But the guy is pretty unlikeable honestly and there was more time spent on the other characters. He’s sort of meant to be a thug with a heart of gold but he just came off as a total asshole to me haha. From one total asshole to the other.
But I guess all the characters are sort of flawed, I just identified more with the flaws of the other characters.
Obviously it goes without saying Mel Gibson is the best character, it’s fucking Mel Gibson, you put him in anything, he’s gonna be the best thing in it hands down. And he’s sort of going through a bit of a resurgence right now in the action genre, between this and Blood Father, he’s doing pretty good and I hope to hell he keeps it up. I personally want to tear down heaven and earth for the travesty of not casting him in fury road over political bullshit cuckery. I don’t give a shit what the dude says when he’s drunk you don’t just take a shit on your movie franchise to avoid ‘bad press’. Obviously dumb people still liked it because it had ‘big splosions and fire breathing guitars’ *soyboyopenmouthsmile.jpeg. I just thought it was ok and Tom Hardy just delivered his standard ‘I’m here for my cheque’ performance tippified in venom. But I mean I was never a huge fan of Mad Mad anyway, there’s like one good Mad Max movie in a list of four, it’s hardly good odds.
Mel plays an embittered old cop who’s been passed over for promotion over and over because he’s too much of an un-pc loose cannon who doesn’t know how to ‘play the game’ of politics, more acquainted with ass kicking than ass kissing. And Vince Vaugn plays his suffering partner, honestly I still want a Brawl sequel, I don’t care, bring motherfuckers back from the dead haha.
Mel gets caught on someone’s phone being a little too rough with a gentleman of colour and he’s suspended. But he’s living in shitty neighbourhood full of dark skinned gentlemen who are harassing his teenage daughter. I mean if anyone is gonna have a teenage daughter pushing sixty it’s the immortal Chad Mel Gibson. The only man to portray my favourite book character with any justice (it still wasn’t perfect but he made it his own, he was ‘Porter’ not Parker), don’t talk to me about Jason Statham’s Parker, he just turned it into a generic action movie like all his others.
He needs money and he stumbles upon plans for some kind of robbery and decides with his partner they’re going to rob the robbers. So that’s the movie basically. I mean fuck, can you imagine making a movie with this premise in 2019. Fuck imagine casting Mel Gibson as a cop suspended basically for manhandling brown people who wants to rob people so he can live away from said brown people, this is anti political correctness they couldn’t get away with in the seventies. Even Charles Bronson had to shoot some white muggers in Death Wish. I mean come on.
So just imagining the set of balls it took to make this movie has me at a loss. And it’s all delivered in a way that makes me feel like it’s not really trying to push a message either way or just trying to be edgy for the sake of it. It just seems matter of fact. The ending was also slightly infuriating, which I won’t spoil.
My main criticism of the movie is that I think it could’ve been longer honestly. I think the bank robber characters were well set up but didn’t have a very satisfying pay off. I wanted them to have more screen time, it just feels like that part was rushed a little and more could’ve been done there with their characters.
Ok well *spoilers* Mel Gibson dies at the end which sucks, it sucks double because the sort of unlikeable main character gets all the money and tosses his family a few gold bars to say like “sorry I killed your old man for basically no reason lol”. But it isn’t delivered in a punitive way. The movie never takes a moral position, he’s not being punished for being a naughty racist which he kind of is and isn’t. He just wants his kid to not be harassed and live in a shitty neighborhood, he never uses the gamer word or comes off particularly prejudiced. But I mean what is Mel Gibson famous for other than Mad Max and Lethal Weapon, it’s for saying crazy racist stuff while drunk off his ass haha. So you have to think his casting and in particular this role is for a reason.
He’s not playing this cuck who has to suck black dick like in some gay Tarantino cuck movie about racial vengeance, he’s just a guy trying to get some money for his family. So I never felt like the movie was political, it’s just a fun cool hard hitting movie that pulls no punches.
I really could talk about this fucking movie for days, there’s just so much there, there’s layers upon layers from the weird fucked up scene with Jennifer Carpenter to the awesome ending shootout. There’s just so much I can get into and I can already see this stretching to the 2k mark so I’ll leave it there and just say, see this movie asap.