Melancholia
When listening to the rain
My thoughts are empty.
Resoundingly so,
Thinking only of what was
But is no longer
A certain aching
Fills my heart like the rain drops.
When I think of you.
Melancholia
When listening to the rain
My thoughts are empty.
Resoundingly so,
Thinking only of what was
But is no longer
A certain aching
Fills my heart like the rain drops.
When I think of you.
I don’t wanna be
wanna be your cigarette
or be your ash tray
You never asked me
I don’t put myself out there
I stay tucked away
I was a loner
I let you in after all..
Until I met you
I’m really biased because I love all Jim Jarmusch movies he sits in this perfect spot between David Lynch absurdity and almost gritty boring realism of I don’t wanna say Tarantino because I already said this about S. Craig Zahler. But I don’t know how to describe his movies, they’re weird but never so weird that they’re unbelievable or downright farcical… until now haha.
He sort of makes weird semi-pretentious movies about nothing but they’re all really watchable and have great dialogue that just keeps you hooked even when nothings happening. Like watch a movie like Down By Law and tell me Jim Jarmusch is a wizard or something, it’s literally just a movie about three people talking in three different sets, that’s it but it’s so watchable and good and I can’t even tell you why. I’m sure if I went back to my film studies class I could tell you why haha.
His movies always really stand out and he doesn’t really have one genre he basically does them all and none at the same time. I mean what would you call Ghost Dog? Is it a samurai movie? A gangster movie? An action movie? It’s all these things and none of them.
I liked the Dead don’t die for a lot of reasons, mainly because it felt like a classic zombie movie or a fifties b-movie. The town that it was shot in was sort of the star of the show for me really, it’s just a really picturesque slice of middle america you only really see in old movies.
The movie feels really real in it’s setting which plays off how ridiculous the movie is and how dead pan the jokes are delivered. Because there are a few jokes but none are really played for laughs, there’s a lot of fourth wall breaking and poking fun at other movies. Like it has this really on the nose political environmental message intended to make fun of how unsubtle the messages are in Romero movies. Basically I guess fracking causes zombies, it’s never delivered seriously, it’s just a gag and for a minute I thought there was a joke about Trump supporters but there’s never any teeth to it where you feel like it’s barbed. It just feels like a prodding, its funny and light and the Trump supporter is played by Steve Buscemi.
So there’s pretty much no other director on earth that could assemble a cast more eclectic and fantastic as this. Tilda Swinton plays basically a parody cross between the bride from Kill bill to an elf from lord of the rings. She’s a scottish samurai mortician, I mean I’m just imagining her getting the script and just saying ‘Yes’ instantly.
Bill Murray, Adam Driver, Selena Gomez of all people, Danny Glover, Tom Waits, Iggy Pop, RZA.
It’s just a great cast for a movie that was really good, like there’s a lot of effort that goes into this movie, it starts off like an old good zombie movie with a long build up of all these different groups of people as the zombies start to roam. It does a really good job of setting up the town it just sort of falters at the end in my opinion, it’s already like an hour forty which is a good length but I think it could’ve done with being the full two hours.
Some of the subplots didn’t really end in a satisfying way and I think a little more time would have fleshed out the ending a little more. I just think the ending came too soon because I was really enjoying the world it’s created and I could’ve stayed in it a little longer. It kinda makes me wish Jim Jarmusch would make his own Twin Peaks and just create this world we could get lost in.
Just checking rotten tomatoes and yes everyone hates it but I liked it and I get that Jim Jarmusch doesn’t really make movies to be good, he just makes movies period. He must’ve just been driving through this town once and liked how it looked and wanted to film a movie there and was just like “What kind of movie haven’t I done?”
I dunno how to feel about it honestly because it’s probably the only thing close to a good zombie movie we’ll ever get and he wasn’t even taking it seriously. He made it just to take the piss out of it as a concept and I love it because it’s literally the type of thing I would do and have done haha.
But it’s just such a well executed movie by incredibly talented people it’s almost sad that it feels wasted but I also think that’s kind of the point. He wanted to get these amazingly talented people together just to make some silly fun schlock and it’s great.
Even if you’re not a fan of Jim Jarmusch, you’ve never seen one of his movies before just watch this, you’ll have some fun at least watching Tilda Swinton decapitating the living dead in a little smart car before she goes back to her home planet, *spoilers* as if it matters haha. The movie has no story but it doesn’t really need one the characters and the town are just so likeable you just want to get lost in them. Well I did haha. I said I was biased, I love Jim Jarmusch movies and shitty zombie movies and this is both.
This review kinda sucks, can’t really get to the core of the issue. I just like this movie and I think it’s necessary, it like sits in this nice little gap between Zombieland and Shaun of the Dead and old school zombie movies like Zombi and Night of the living dead and totally sort of wrecks Planet Terror or grindhouse or whatever that crap was called.
I dunno, I get why people would hate it but just go see it for yourself, there’s nothing quite like it. Say what you want about Jim Jarmusch movies, you will be entertained whether you like it or not.
If you didn’t like this movie fuck you, that’s all I have to say, end of review.
Haha ok no, might’ve been a little hasty there.
Yeah so like every other sentient being on this planet I saw this movie and I was just like ‘why does this need to exist?’ And it seems that that feeling has permeated to the core of the entire movie watching world so deep that they’ve forgotten how to actually enjoy a fun movie. In fact they wouldn’t even know one if it slapped them upside the head with a giant’s dong.
I’m one of these complete plebs that hasn’t read nor has any desire to read the hellboy comics so I wasn’t particularly interested in the Ron Pearlman movies. I thought they were kind of ok, they were watchable, like if they came on tv while I was cooking or something I wouldn’t turn them off because I liked the practical effects or whatever. They were ok, pretty much anything with like occult nazis and I’m interested but I was never really blown away by the movies. They were just sort of middling monster movies that were castrated for children, where all the gore became gunge or something. Not having read the comics I can’t attest to what demographic they’re aimed at but I hardly think a comic about a demon spawn killing monsters is aimed at kids.
Which is kind of ironic because the biggest criticism I see about this movie is that it’s a cynical cash in on the franchise during the superhero craze dying down now. But it’s not even aimed at kids, it’s a hard swearing gorefest hard R rating so which ones are the cynical cash grabs again? The ones made pg-13 to sell mcdonalds toys or the ones where hellboy cleaves a giants head in two with a sword the size of a minibus?
I dunno, I feel like I’m taking crazy pills here, and if you swapped the original hellboy movies with this one in terms of the time period it would be Ron Pearlman getting his dick knocked in the dirt.
What I’m trying to say is like me everyone cynical prick (me included) and their grandmother was ready to hate this movie because super hero fatigue has set in hard and it’s here to stay and people were more ready to give the Pearlman movies a fair shake because at the time we were only getting the tip of the cape shit fuckening that was to occur soon after leaving us all feeling sore and deeply ashamed as a culture.
Because I’m sitting here watching this movie, ready to hate it every moment of it (and the beginning bit sort of sucked) but this funny thing starts to happen about the time where hellboy is fighting three giants straight out of trollhunter or attack on titan mano e mano; I start to have this funny feeling, this tingling sensation that some scientists have called ‘having fun’.
The movie is just fun as all fuck. It’s balls to wall action and gore and just bad ass. There are bits of this movie that just had me reeling, it was just so gorey and awesome looking I wasn’t sure what I was looking at. It blends practical and digital effects really nicely and I think the tone is really cool, where it’s kind of light hearted but then it’s as violent and as gorey as a horror movie, so you get almost a black comedy vibe from it.
The movie is a good two hours long but there’s so much going on it doesn’t feel like a slog and even when you reach the halfway point so much has happened the first half could’ve been it’s own movie. In some respects the plot is a little rushed and not amazing but it has a solid structure where at the halfway mark he’s confronting the main villain and not having what he needs to defeat her he has to go back and measure himself.
The main cast are passable, I don’t know what accent Daniel Dae Kim was attempting the girl is kinda bleh, and it kinda wreaks of diversity woke squad where the only white man on the team is red. But David Harbour is great in this movie. The worst part of the original movies for me was the hammy acting from Pearlman. I like him, I think he has a cool voice and someone thought he’d be a cool hellboy but I think he was too old to play hellboy even then and now it would be ridiculous. You need someone old enough to be a tough cool Ron Pearlman character but also young enough to be a kind of a punk kid sometimes. The bits where Pearlman is acting like a brat in the original movies is so forced and lame and his self loathing just felt silly, like he was doing a rainman impression. I think Harbour is a lot more realised as Hellboy, he brings a lot more consistency and personality to the role, I just felt like his interpretation was a more three dimensional character instead of just Ron Pearlman painted red. I felt like his struggle with his humanity was more potent and less shlocky.
I think the villains could’ve been better, I loved the changeling pigman he was awesome, when you first meet him it’s almost stomach churning the level of unbridled carnage he wreaks on people. You really feel like if you encountered this thing you would shit your pants. But Milla Jovovich as a villain was unremarkable, it was just Milla Jovovich being herself, she didn’t look particularly interesting, she was sort of too likeable as villain. But I guess the point of the story is that Hellboy is his own worst villain so it kind of makes sense that his villains aren’t as interesting as he is. Because the battle is between himself, either he gives in to his demon nature and conquers the earth or he beats his demonself and saves humanity from… himself.
Overall it’s just a solid fun, no nonsense, not giving a fuck movie I think will be a cult classic. And I don’t think it’s a cynical cash grab I think someone saw deadpool and logan and were like “Why don’t we do the hellboy movie we want to do where people say ‘fuck’ and get torn apart by a giant pigman in the most grotesque way possible?”
It’s a no holes barred action gorefest like that isn’t possible today, legitimately I’m not being objective. I’m holding this movie up against the sterile cynical mass produced comic book prepackaged action shlock we get today like every marvel or in some regards even the John Wick movies that don’t really take any risks, they just set up action set pieces and then string them together with a loose plot no one cares about.
What I’m trying to say is I don’t think this movie was phoned in, I can tell when someone doesn’t give a shit and I can’t look at a single frame of this movie and say that someone didn’t love this. Even things as simple as the sets and some of the shooting locations I just had to stop and say it looked good. This movie looks good, it’s fun, it’s action packed, it’s not neat, it’s not clean, you can’t take your mum or your girlfriend to it, you can’t have soylent drinking thin bearded will wheaton ass motherfuckers soy smiling while they tell you how bad ass it is when thor was playing fortnite. There isn’t some forced shitty joke mandated by their corporate office to be instituted every ten minutes, this movie isn’t made in a factory. I think we’ve been so programmed by these factory farm movies coming out of the comic book industry we don’t know how to watch a movie not made in that mould. This movie fucking breaks the mould and takes a demon sized dump on it. Actually fuck it, I think I might start reading the comics just to see which was a closer adaptation. That’s how you know you watched a good comic book movie, where you actually want to go read the comics it’s based on. You literally can’t do that with marvel because there are like a million different versions of every character. You can’t walk into to a comic book store and just ask to buy a spiderman comic without spending a couple thousand hours on wikipedia first to decide which fucking spiderman in which timezone in which dimension.
Don’t take my word for it, watch it and make up your own mind, and I guarantee even if you didn’t like it, you’ll have fun with it. I’m looking at this through the lens of the previous movies and the castrated garbage we’re force fed daily from the comic book empires, and it looks good.
I don’t know how long…
Before I can see your face,
In my restless dreams
Sometimes I see you
You’re always smiling at me
But it never lasts
I’d do anything
Just to see you for a day
How long can I wait?
This movie surprised me taking the lofty title of ‘most okayest movie ever’.
I didn’t really know what to expect when I went into this movie, I’ve seen all of the MIB movies but never been that impressed with any of them bar the first one and even then I just thought that movie was above average.
And then of course I stumbled on all the political bullshit surrounding this movie as it appears that Tessa Thompson is trying to topple Brie Larson from atop the totem of ‘most wokest person in hollywood’ which you’d think would be easy since she’s a woman and mixed race and is probably some made up gender she hasn’t fully made up yet (probably waiting on focus group testing for that one). But you’d be wrong, as nothing will top a huhwhyte wamen and her shrill white guilt from being the most woke person on earth nomatter how many african babies she has to adopt and then turn into some kind of gender experiment, looking at you Charlise Theron *shakes head*.
Yeah she was being a total nob and I guess trying to kick up controversy by saying it should be ‘People in black’ or something lame like that, you know just trying to ungender the language for some reason. When in reality ‘men’ is actually a neutral term which just means people and they added ‘wo’ to it to single out the distinction in people. Men classically is just a collective term for humans, you use women when you want to get specific on the type of human from the bog standard to the special one that creates other humans.
Putting the fedora away for a moment, that shit doesn’t really matter because facts never matter when you’ve got an agenda to push. But in all honesty the movie didn’t have a lot of politics in it, of course there were politics in it, can’t get a movie without it in these days in some form or another. It’s always there looming in the background of all movies in a way.
There are the odd subtle reference to immigration, well Tessa Thompson’s character at the start helps this cute little alien escape alien ice (MIB) and spoilers for this epic twist which is almost completely inconsequential to the rest of the movie and totally obvious to anyone five and above; the little alien is mildly relevant to the plot later. In that he’s like the enforcer to an alien arms dealer and because she helped him he helps her escape the arms dealer.
So I guess the moral of the story is you should help illegal aliens escape the law so when they become hired killers for other alien criminals they’ll maybe remember you and spare you when you end up in the clutches of said alien criminals. Not the best argument for immigration I’ve heard, but it’s up there.
Also not sure about this in the other movies but they referred to the aliens a lot as ‘refugees’. I don’t really get why alien refugees would want to flee to earth of all places when earth seems to be the focal point of a lot of alien fuckery and the first part of the movie is about how Hemsworth’s character has to take this alien dignitary around and show him some fun or his people will grind the earth into dust. So tell me again why it’s such an alien hot spot, of all the places in the galaxy why pick earth a planet where most of the people aren’t even aware of aliens? And also why aren’t people aware of aliens? What harm could it be to let people know that aliens exist? I mean aliens are aware people exist and they’re pretty chill about it, I don’t get why humans are the only people in the universe not allowed to know they’re not alone, it’s just levels of contrivance that shouldn’t be possible.
I was just thinking what would really change if people knew about aliens in this universe and the answer really is ‘nothing’. There’s a bit where they’re riding this alien hoverbike thing through the streets of morocco and they take the time to neuralise some of the people who initially see them but then they’re driving through the streets not bothering and I was like ‘so what was the point of neuralising those people if you don’t also subsequently neuralise everyone around you now?”. It’s just contrived and silly and like why bother neuralising people at all when there are supposedly aliens everywhere. It makes me think that people do know aliens are real but the MIB are just so stupid they don’t know everyone knows and people are just pretending they don’t know to humour these total retards who think camera flash bulbs erase people’s memories.
I get the whole point of it is to make us think that the MIB could be real and they’re keeping the existence of aliens from us but does that ever make it seem more real? Not really. I mean you had people planning to storm area 51 recently hoping to bone green women, do you think anything would surprise these people anymore?
Jesus fucking christ, I didn’t think I’d have anything to say about this movie and I’m already almost a thousand words in and haven’t said anything about it really haha.
Ok well, I kind of enjoyed it, I guess, it’s an ok popcorn flick to turn your brain off to, some of the jokes are ok, kind of post ironic humour bleh, but passable. The contrived origin story of Tessa Thompson’s character sucks though and I wish they’d skipped it, but it was thankfully very brief.
She’s just someone who saw an alien once and wanted to be in MIB and she’s ‘muh mary sue super wamen genius!’ and they have to let her in the MIB for reasons. She basically just shows up at MIB headquarters and they let her join for reasons. I thought it would’ve been more fun if they neuralised her and she had to remember and get back there. But this movie can’t be bothered with origin stories, because they have a bunch of other origin stories in a row to tell. Right after her origin story its Chris Hemsworth’s turn and then like a quarter of the way in it gets into the villains story. The villain was sort of bleh honestly. Just these two guys who looked like (and probably were) backing dancers in a *insert modern popstar idiot*’s music video.
But I expected Liam Neeson to be in it for like five minutes and he’s actually in it a lot longer than that. I liked some of the action, Chris Hemsworth is always pretty watchable and they actually cut some of the cringy stuff that was in the trailer which was great. Back to the political shit, there was a shit bit where the chick who is the leader of the U.S MIB is implying she’s trying to change the name to be more gender neutral and I don’t remember it being in the version I watched so that’s cool.
So the basic plot is Chris Hemsworth is basically 007 but goofier and with aliens and Tessa Thompson is his new rookie partner and they’re doing stuff. It’s not the best, the plot is mainly serviceable but it didn’t drag or feel poorly paced. I didn’t feel bored or unsatisfied. It’s length was just right in terms of it’s act structure, the characters were enjoyable, effects looked good.
Maybe I was just expecting it to be really bad and was just pleasantly surprised because I rather enjoyed it, it was just a fun popcorn movie. I’d probably never watch it again but I can think of worse ways to waste an afternoon.
IT WAS OK.
I find it hard to review these movies, which is probably why I didn’t review all the others haha. I dunno because I enjoy them but I can’t help feeling like I enjoy them ironically. Like I’m watching a school play version of an eighties action movie and it kind of resembles those movies but it’s a cartoonish self-referential post irony abomination.
And bare in mind I enjoyed this movie, but I can’t help think that if this came out in the eighties or early nineties people would laugh at it, it would be a blip. Rather than being something interesting with a unique spin on eighties/nineties action movies like The Guest or Upgrade (see these movies, they’re fucking awesome), it’s just a kind of an amalgam of that and a kung fu movie I guess where the weakest aspect is always the world building. The difference being those movies are usually set in the real world.
Whenever I’m watching a John Wick movie I have to take special care to ignore the stupid world building. Why the fuck wasn’t this movie just based in the real world? Why do you have to set it in this cartoony parody world where everyone and their nan is an assassin? It’s just totally immersion breaking and lame. It’s just fucking silly and makes the world kind of goofy and it takes away from a lot of the gore and violence because it just makes the whole thing a great big cartoon. I mean what’s so special about these magical coins and all this nonsense? What does it add to the non-plot?
I mean yeah these movies are meant to be dumb, there’s not a scrap of storyline you could cobble together from any of the films, the world building is weaker than in the Wanted movie where they get their assassination targets from a fucking sewing machine (which is less silly than the comic I might add). And it’s all set in motion by a dead doggo.
They’re less movies, than they are action set pieces strung together with light plot elements. And don’t get me wrong the action is awesome, the fight scenes and effects are masterful. Especially in regard to their use of physical and digital effects. They seem to use them seamlessly, where you have real squibs and then digital over the top for the more fucked stuff like stabbing people in the head. But it’s really just mindless violence without a plot holding it together.
So what’s this one about? Well John Wick has to survive or something, and I dunno Halle Berry is in it for some reason and she has lots of doggos and there’s like more really shit world building (ye-yaayy). Where he has to go see this ‘Elder’ who’s literally a guy that looks the same age if not younger than Keanu Reeves and do some stuff which he sort of doesn’t do and there’s another hook for a sequel. Which is fine, I’m glad they broke out of the trilogy bullshit. I was half convinced they’d do that stupid bullshit where it turns out someone killed his wife for reasons and tie it back to the first movie for a shitty conclusion.
I expected in this movie for John Wick to tear down the whole shitty house of cards world they’d built up which he doesn’t do but it makes me feel like they’re setting up for him to do that in the next movie and that makes it ok, I guess.
Again I enjoy John Wick movies, I just cringe everytime we have to cut to a room full of tatted grannies dressed like greasers working a switch board for assassins. So it’s like a world where everyone is an assassin, like surely we don’t need that many assassins? This is like anime logic, if everyone from the people who shine yours shoes to the people who make you sushi are assassins surely being an assassin is pretty mundane. It’s like someone who works as a waiter talking about his screenplay. “Oh yeah so I work here but my real dream is being the worlds top assassin, just waiting for my big break ya know.”
Every time I’m just like why? Why not just set it in the real world? It’s like trying to make it the matrix for assassins where it’s half in the real world and half in a shit anime and I’d almost like these to be a weird matrix spin off where neo and morpheus choose to re-enter the matrix as new people. Just remembering how bad those sequels were and retracting that statement.
And every fucking character he meets just imposes back story on him and is like “I’ll never forgive you for x thing that you did at y time, I’m really mad and you owe me or I owe or plot plot plot”. It’s tiresome, it’s like the movie is so aware how it has no story so it’s trying really hard to convince you to meme you into writing it in your head and you just can’t be bothered you just want him to shoot more people over a dog. So the John Wick universe could be amazing if only you could use your imagination and will it into being but you don’t because you’re shit and hollywood already stole all your imagination and sold it back to you as a snappy t-shirt.
It’s basically like the John Wick movies are a reboot to a once great franchise that doesn’t exist and expects you to make up in your head. So John Wick is basically skipping a phase, you’re supposed to make a series of popular movies before you make the shitty soulless cash grab reboot, this is just starting with the shitty reboot fanservice and expecting you to work backwards and think on fondly of a series of films that doesn’t exist in a genre that sort of doesn’t exist either anymore.
Because let’s face facts, action movies as a genre are pretty much dead, that’s why these movies are so popular because the only alternative are these neutered sterilised cucked capeshit movies where they can’t show blood and can only say ‘fuck’ once not in the context of actual fucking. And we get the odd throwback to when all big movies weren’t made exclusively to sell happy meal toys with Logan and to a lesser extent those garbage deadpool movies (yes they’re garbage, and if you like them your opinions are garbage and belong in a dustbin with all the other garbage, in fact why don’t you live in there with your garbage opinion?). But it’s not the same.
So again, I have to say I like these movies, I just have to add a caveat, you have to switch your brain off, you have to give this movie a pass on how fucking dumb it is, you have to watch it with beer goggles and just not notice the shit world and the stupid/non-existent plot.
These movies are like an exercise in learning to enjoy things. Just look at Keanu Reeves nice face and watch him brutally murder people because of a doggo and don’t think about it too much. CONSUME PRODUCT, GET EXCITED FOR NEXT PRODUCT.
Of course I’ll watch the next one predictably, but only because I like Keanu Reeves and it would make him sad if I didn’t. (Which is also why I’m going to watch the new Bill and Ted movie and force myself to like it, if it actually can meme itself into existence.)
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